Integrating Text SIM 202X
Fall 2005
Jane D. Marsching email
office hours: Tuesday 2-4 signup sheet is on door
my office is in South on the third floor


syllabus

resources

emails


resources

artwriting blog

Linda Carolli, art writer, resources and essays

how to free write

 

your input: because this is a new class, a diverse class of many kinds of art makers, it is important to me for you to give your input about what kinds of text interest you. please feel free to email suggestions for readings to me, let me know about exhibits or shows that pertain to the work we do here so we may go see work together, or suggest film or video that has had an influence on your relationship to language in profound ways. i am just as committed to learning here as i am asking you to be.
here is a list of possible readings/artists to look at. i am, again, open and encouraging to suggestions and input.
Lynda Barry
Sophie Calle
David Wilson
Linda Montano
Jeanne Finley
Thich Nacht Hanh
Lorna Simpson
James Luna
Felix Gonzalez Torres
Spaulding Gray
David Wojnarowicz
Miranda July
Adrian Piper
On Kawara
The Guerilla Girls
Andy Warhol
Public Enemy
Ann Hamilton
Carrie Mae Weems
Raymond Pettibon
Barbara Kruger
Nicole Eisenman
Roland Barthes
Strunk & White
Xu Bing
John Baldessari
Susan Sontag
Helene Cixous
Haruki Murakami
Tracy+the Plastics
Jack Pierson
you tell me…

 

"In the act of writing about art, then, you press language to the point of fracture and try to do what writing cannot do: account for the experience."
Dave Hickey "Air Guitar"
"...the primary virtue and usefulness of criticism resides precisely in its limitations, in the fact that the critic's fragile linguistic tryst with the visible object is always momentary, ephemeral, and local to its context." Dave Hickey, “Air Guitar”